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As we become this one global culture, in some ways it’s things like the weather and nature that still hold our culture as unique to where we are.

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Albums are like diaries. You go through phases, technically and emotionally, and they reflect the state that you’re in at the time.

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For the last 12 years, I’ve felt really privileged to be living such a normal life. It’s so a part of who I am.

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That’s what all art’s about – a sense of moving away from boundaries that you can’t in real life. Like a dancer is always trying to fly, really – to do something that’s just not possible. But you try to do as much as you can within those physical boundaries.

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Sometimes when I’m going to the supermarket to get the coffee and cat litter, I get freaked out and see all these people staring, and you turn around and there’s, like, 40 people all looking at you… and when you go around the corner, they’re all following you! You start freaking out like a trapped animal.

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It’s not that I don’t like American pop; I’m a huge admirer of it, but I think my roots came from a very English and Irish base. Is it all sort of totally non-American sounding, do you think?

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