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People said I couldn’t gig, and I proved them wrong.

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People ask what I really did in the three years between ‘The Dreaming’ and ‘Hounds of Love.’ I spent it with my family, living a normal home life.

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One of the main reasons for wanting to perform live again was to have contact with that audience.

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My life and my work are very interlocked. That’s partly why I like to keep my private life private.

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My father was always playing the piano. He played all kinds of music – Gershwin, all kinds of stuff.

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