Read moreWriting is incidental to my primary objective, which is spinning a good yarn. I view myself as a storyteller more than a writer. The story – and hence the extensive research that goes into each one of my books – is much more important than the words that I use to narrate it.
Read moreWhile growing up, I always had to depend on foreign authors for page-turners. I think of myself as a commercial writer, and my job is simple to entertain you.
Read moreWhen I wrote ‘The Rozabal Line,’ I had no preconceived notions of what a commercial bestseller should be. I have always viewed ‘The Rozabal Line’ as my first love and probably my best work. The fact, however, is that it is my least read work.
Read moreUnlike a typical professional, I can’t quit my job to become a full-time author; I don’t have that luxury. For me, writing is therapy; if I choose to write full-time, it might start feeling like work.
Read moreThere is a method to the madness of James Patterson’s success. Co-writing with him is a terrific learning experience, particularly in the art of crafting a perfect thriller. The collaboration also gives me an opportunity to access a wider global audience.
Read moreInitial work is on period research where the historical markers are absolutely non-negotiable. Once that is established, a writer can take creative liberties in terms of chronology to suit the story.
