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So how critics will perceive your film or your work, or whether your movie is going to make $100 million at the box office, or whether you are going to be winning any awards – well, you have no control over that.

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And I do think that earlier in my career, I did make a very conscious decision to make sure that I was doing work that wasn’t necessarily given to me, and that people didn’t necessarily think that I would be able to do.

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And I was victim to that very early in my career, where I would go into auditions, and I’d be wearing a big T shirt, a big baggy T shirt and loose jeans. You know, to try and show people that there was more to me than just that.

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At least I know that one film-maker in my career has had the initiative to come to me and thought of me as being capable of doing interesting and complicated work, and so I have a new-found belief that other film-makers will see me in a different way, the way that Patty did.

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I have very talented people dress me and put my makeup on, stuff like that. But I do love that look, and I think it’s maybe because I grew up on that old glamour.

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I have a problem with cabinets being messy and people just shoving things in and closing the door. I will lie in bed and not be able to sleep because I’ll say to myself: ‘I think I saw something in that cabinet that just shouldn’t be there.’

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