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I don’t consider myself a fashion designer.

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About half my designs are controlled fantasy, 15 percent are total madness and the rest are bread-and-butter designs.

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When I concentrate on a specific site or place for which I am going to design a building, I try to plumb its depths, its form, its history and its sensuous qualities.

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The first 10 years of my professional life had only to do with running away from my father. He was a wonderful cabinet-maker, and me being the eldest son, I had to take over his shop, his profession and so on and so on. I tried to escape by going to art school and then going on to industrial design and then interior design.

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I design for the use of a building and the place and for the people who use it… the reputation for arrogance comes because when work is offered to me, I look whether I can find a genuine interest in quality.

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It is, generally, in the season of prosperity that men discover their real temper, principles, and designs.

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